Equestrian Study
Liam had a love of horses, and a strong equine theme was another core pillar of his portfolio. One can see a continuation of his fascination with the mother-child relationship, through his mare and foal.
Through his depiction of Becher’s Brook in 1972, he captured the drama of competitive horse-racing, perhaps a prophesy for a series of disasters at Aintree’s notorious fence later that decade.
Scroll down to see 5 pieces in this category.
Art. No. 5: Stallion -Yew - 1991 - H56 x W57 x D16 cm 5.2 kg - 3-D
Art. No. 5: Stallion -Yew - 1991 - H56 x W57 x D16 cm 5.2 kg - 3-D
Art. No. 5: Stallion -Yew - 1991 - H56 x W57 x D16 cm 5.2 kg - 3-D
Art. No. 15: Horse - Oak - 1983 - H30 x W27 x D10 cm -1.25 g - 3-D
Art. No. 15: Horse - Oak - 1983 - H30 x W27 x D10 cm -1.25 g - 3-D
Art. No. 15: Horse - Oak - 1983 - H30 x W27 x D10 cm -1.25 g - 3-D
Art. No. 15: Horse - Oak - 1983 - H30 x W27 x D10 cm -1.25 g - 3-D
Art. No. 15: Horse - Oak - 1983 - H30 x W27 x D10 cm -1.25 g - 3-D
Art. No. 15: Horse - Oak - 1983 - H30 x W27 x D10 cm -1.25 g - 3-D
Art. No. 4: Horses standing - Elm - 1972 - H38 x W31 x D17 cm - 3.9 kg - 3-D
Art. No. 4: Horses standing - Elm - 1972 - H38 x W31 x D17 cm - 3.9 kg - 3-D
Art. No. 4: Horses standing - Elm - 1972 - H38 x W31 x D17 cm - 3.9 kg - 3-D
Art. No. 4: Horses standing - Elm - 1972 - H38 x W31 x D17 cm - 3.9 kg - 3-D
Art. No. 4: Horses standing - Elm - 1972 - H38 x W31 x D17 cm - 3.9 kg - 3-D
Art. No. 34: Becher's Brook - Elm - 1972 - H32 x W106 x D3 cm - .2 kg - Relief/wall
Art. No. 34: Becher's Brook - Elm - 1972 - H32 x W106 x D3 cm - .2 kg - Relief/wall
Art. No. 34: Becher's Brook - Elm - 1972 - H32 x W106 x D3 cm - .2 kg - Relief/wall
Art. No. 51: Fighting horses - 1960's - H35 x W38 x D3 cm - 1.95 kg - Relief /wall - Painted wood
Art. No. 51: Fighting horses - 1960's - H35 x W38 x D3 cm - 1.95 kg - Relief /wall - Painted wood
Art. No. 51: Fighting horses - 1960's - H35 x W38 x D3 cm - 1.95 kg - Relief /wall - Painted wood